I love a client who keeps requesting sparkly nipples and prominent crotches on her costumes. It’s funny, gets a great reaction, and I have a great time making it. Lady LEWD has expanded her wardrobe of sparkly nude suits! For Krewe du Vieux 2017 she’s a Mardi Gras disco humpin’ Camel Toe!
Her boobs, butt hump, and crotch are stuffed with polyfill, and I used sequin fabric for a disco ball effect on the humps. The bodysuit has a snap crotch and is worn over leggings. I also made a set of over-the-knee legwarmers out of purple faux fur but it turned out to be quite a warm evening.
The tail is made from lycra and gold float fringe and is pinned onto the hump.
The camel toe concept was Panika’s idea, and she handed out Camel Toe buttons. She styled the wig and did her own makeup as well!
I treated myself to another entertaining day of puppet making. It’s doodling with fabrics while binge watching Community, with the windows open on an idyllic New Orleans spring. I’m busy and happy and starting to post again.
You can also see them in my Etsy shop, and you know, buy them.
Not only is Fluevog an excellent design line, they’re also a cool company to work for. My friend Tanaya runs their French Quarter store, and commissioned a dress for their company retreat costume party in Canada this summer. The theme for the party was Moonrise Kingdom, and Tanaya already had the perfect Fluevog saddle shoes for a Suzy look, as well as a designer friend who loves all Wes Anderson movies.
Rather than taking a cosplay approach to the retro Suzy look I decided to design a dress to compliment the shoes while still fitting into the film’s aesthetic. Why follow someone else’s design when I can make my own?
What a cutie! Another concern for this design was that the dress be versatile enough to fit into her regular wardrobe. Of course I drafted the simple pattern myself.The fabrics are all from Joann. The blue polyester has great texture and a little bit of stretch. I layered ivory knit lace over black satin and obviously had fun playing with the pattern layout. The zipper is a vintage metal one from my stash for that authentic touch.
I’ve been so damn prolific this year and this is all I manage to post. Burning Man is over but the cleaning isn’t, and I’ve spent most of the day in bed. Story time!
In March I completely rearranged the New Orleans apartment, and part of that redecoration was getting a plant for the bathroom. Something leafy to fill the corner behind the toilet and give the grime some jungle charm, and I got a plucky offshoot from a neighbor’s garden.
After a few weeks, the lengthening stalks told me the plant wasn’t getting enough light, so I moved it from its gold stand in the corner to the shelf in front of the window. It was still leggy, but it seemed to be adjusting. Over a few months I watched my plant grow thin and start to yellow. A larger pot helped but didn’t address the real problem.
My desire to keep that plant in my bathroom was killing the plant and filling me with guilt. That plant’s need for sunlight had nothing to do with my desire for a plant that would thrive in my bathroom. I had to let go of how I wanted things to be and accept reality.
I immediately moved the plant outside, laughed at my foolishness, and have loved seeing the plant thrive on my back deck. It’s been an excellent object lesson in acceptance of myself and others.
I’m looking forward to choosing an appropriate plant for the bathroom when I go back, and having a glass of sake with this creole queen.
How’s that for turning 30 tao reflection? I’ll mike drop on my favorite Gandhi quote.
My latest painting project at Regeneration Springs is also my biggest. The deck surface is 16’ square, although there is a large hole in the center which cuts down on surface area.
This cold tub was built behind the massage studio, as a relaxing alternative to the swimming pool. All of the water comes from a well, and is wonderful to drink and bathe in. I stood in the pool to paint, though occasionally I climbed out and sat on a dry section of deck, or stood on the ground around the platform. I’d been concerned about my posture, but this variety of positions allowed me to adjust and be comfortable (so long as I worked in the shade).
My client supplied the themes of each panel and some references, while I designed the imagery and the aesthetics followed my previous work at the site. The core of the design is the Toaist bagua, supplemented by Native American and local symbolism, as well as centrality of the navel. It was a very peaceful project to work on!
Heaven / metal, maturity, presence, security. The step up to the deck is behind and below the sun. This deep blue/violet represents cosmic life energy in my work (it’s the first color I ever ‘hallucinated’ and Oliver Sacks backs me up, though I’m not full indigo here).
Transformation is a constant theme in every panel. The lines change and evolve, but are still connected to their origins and are always beautiful, so long as you can accept the change.
I took these panoramas from the center of the pool.
And some in-progress shots!